Published by Amistad on January 6, 2015
Source: I received a copy of this book from the publisher for review consideration.
IndieBound | Barnes & Noble | Amazon
A native of Haiti, Dimitry Elias Léger makes his remarkable debut with this story of romance, politics, and religion that traces the fates of three lovers in Port-au-Prince, Haiti, and the challenges they face readjusting to life after an earthquake devastates their city.
Reflecting the chaos of disaster and its aftermath, God Loves Haiti switches between time periods and locations, yet always moves closer to solving the driving mystery at its center: Will the artist Natasha Robert reunite with her one true love, the injured Alain Destiné, and live happily ever after? Warm and constantly surprising, told in the incandescent style of José Saramago and Roberto Bolaño, and reminiscent of Gabriel García Márquez’s hauntingly beautiful Love in The Time of Cholera, God Loves Haiti is an homage to a lost time and city, and the people who embody it.
A native of Haiti, Dimitry Elias Léger makes his debut with his novel God Loves Haiti. Set in Port-au-Prince before, during, and after the 2010 earthquake, this story revolves around three lovers — Haiti’s President, First Lady, and her lover (all fictional) — as they come to terms with the devastation around them and readjust to their lives.
Two phrases that usually send me running away appear in blurbs on the back cover of my review copy: “romantic comedy” and “love triangle.” I’m not sure I agree with the “comedy” part (although Natasha’s lover often provided a lighter reprieve), but the romance and love triangle do not overwhelm the story in any way. I enjoyed every page of the book, from beginning to end, in large part because there are so many layers to this novel.
The writing is superb; refined but modern. Allusions to Dante’s Divine Comedy are cleverly interwoven throughout the book. With an ever-so-subtle hand, Léger gives readers a glimpse into Haiti’s complicated history and politics, its culture and faith, its spirit and pride. The nation’s rich beauty radiates throughout the story, so much so that you forget about how extreme the poverty there is. That is, until Léger sneaks in a clue that shocks you back to reality. It’s confusing. It’s disconcerting. It makes for a stunning reading experience that leaves you feeling devastated, hopeful, and conflicted in that gut-wrenching, introspective “I need to think about this more deeply” kind of way. What a striking debut.